#60: Releasing the Prints
Over the past few weeks I’ve started releasing a small collection of fine art prints based on recent drawings and paintings. In this post I reflect on the process of turning original works into carefully produced limited editions, and how that changes the relationship between the artwork, the studio, and the people who collect it.
#34: The Show Has Just Finished — But I’m Already Thinking About What’s Next
While Holmfirth Artweek is just wrapping up, I’ve noticed something familiar stirring — the quiet return of curiosity. My mind is already starting to drift toward what might come next. This post reflects on that creative in-between and the gentle momentum that follows the high of a show.
#27: When People See What I Didn’t See
One of the most surprising things about sharing my paintings is when someone sees something in the work that I didn’t. In this post, I reflect on how art takes on new meaning in the eyes of others — and why that’s one of the best parts of the process.
#24: Sealing the Story: Finding the Right Varnish for Each Painting
As I finish my latest paintings for the art show, I’m realising how much those final layers of varnish matter — not just for protection, but for mood, presence, and the quiet dignity of letting the work stand on its own.
#23: Knowing When to Stop: Finding My Limits in the Studio
I love getting lost in the work — but I’ve learned that the best paintings don’t come from endless hours alone. In this post, I explore how family time, exercise, and quiet pauses outside the studio all shape the work I do when I return.
#22: The Space Around the Painting: Why the Studio Matters
The studio doesn’t just contain the work — it shapes it. In this post, I reflect on the mood, movement, and small rituals of my workspace, and how the space around the canvas quietly becomes part of the painting itself.