#43: When the Studio Feels Like a Laboratory
Lately my studio looks less like a studio and more like a laboratory — Perspex sheets, varnish tests, and failed scraps scattered everywhere. In this post, I reflect on the role of experimentation in my moiré portrait project, and why research and failure are as essential as paint.
#39: The Difference Between an Idea and a Painting
Some ideas arrive perfectly in your mind — clean, sharp, ready to be made. But painting them is a different story. In this post, I reflect on how the transition from concept to canvas reshapes everything, and why that unpredictable shift is part of what makes painting worthwhile.