For a long time, my work existed in black and white. Stripped of colour, it was all about contrast, form, and texture—letting light and shadow do the storytelling. There was a purity to it, a directness that I loved. But recently, I felt something shifting. A pull towards something richer, something more layered. So, I made a change.

I started working with colour.

At first, it felt like learning a new language—exciting but uncertain. Colour is an entirely different way of thinking, a different way of seeing. Where black and white allowed me to focus on stark, bold compositions, colour introduced a new dimension of emotion and energy. Suddenly, my work wasn’t just about what was being depicted, but how it felt, how it moved, how it resonated through shades and tones.