#46: Back to the Brush
After weeks of moiré experiments and technical tests, I’ve finally returned to painting — beginning my reinterpretation of Michelangelo’s Creation of Adam. In this post, I reflect on the shift from preparation to brushwork, and the unique fulfilment painting brings.
#41: Trusting the Experiments
Before a painting exists, there’s a lot of invisible work — the quiet stage of testing and failing. In this post, I share how I’m using a sacrificial Perspex sheet to experiment with paints and varnishes for my moiré project, and why these unseen steps are vital to inventing a new process.