#46: Back to the Brush
After weeks of moiré experiments and technical tests, I’ve finally returned to painting — beginning my reinterpretation of Michelangelo’s Creation of Adam. In this post, I reflect on the shift from preparation to brushwork, and the unique fulfilment painting brings.
#44: The Mathematics Behind the Moiré
Moiré patterns look almost magical — waves and distortions that shift as you move — but beneath that strangeness lies complex mathematics. In this post, I reflect on the hidden geometry behind moiré and why, as an artist, I prefer to feel it in the studio rather than calculate it on paper.