#46: Back to the Brush
After weeks of moiré experiments and technical tests, I’ve finally returned to painting — beginning my reinterpretation of Michelangelo’s Creation of Adam. In this post, I reflect on the shift from preparation to brushwork, and the unique fulfilment painting brings.
Dancing with Time: The Artist’s Most Elusive Medium
Time. It slips through fingers like water, resists capture, and mocks even the most careful plans. For artists, time is more than just a background hum — it’s an invisible collaborator, a constant tension, a onlooker breathing over the shoulder of every creative act. The artist’s process is not only about pencils, paint or clay. It’s also about wrestling with time itself.