#46: Back to the Brush
After weeks of moiré experiments and technical tests, I’ve finally returned to painting — beginning my reinterpretation of Michelangelo’s Creation of Adam. In this post, I reflect on the shift from preparation to brushwork, and the unique fulfilment painting brings.
#45: Reimagining Creation Through Moiré
I’m beginning a new portrait inspired by Michelangelo’s Creation of Adam — but with a twist. Using the moiré illusion, I’m painting just the two hands so that only one is ever visible at a time. The result: God and man can never appear together, a reflection of disconnection in our age.